summerising booklet pg 3-7
Part 1: 1960s Television
Background to television
in the mid-1960s
Television in mid-1960s
Britain was scarce. Only three channels were available: BBC1, BBC2 and ITV.
Televisions were expensive, small, unreliable and black and white. All
television channels would shut down to play the national anthem. Channel
surfing was not used much so people were more loyal to the channels that they
watched.
ITV started in 1955, designed
to compete against BBC by being the first channel to allow advertising on TV. It
gained large audiences by introducing game shows. ITV was financially secure
because it made its money from advertising.
Ownership, finding and
regulation
Television in the 1960s
Britain was provided by the BBC and ITV. These companies were not allowed to merge and
their British ownership was controlled by their regulator, the Independent
Television Authority (ITA). ITV was highly profitable and could afford larger
budgets than the BBC. This allowed the ITA to insist on strict public service
broadcasting (PSB). The schedules regularly include PSB fare such as: single
dramas, educational programmes, children’s programmes, Arts programmes, news
and many more. The BBC was self-regulating.
Global TV
World television markets were
dominated by US programmes, which could be sold abroad for much less than the
cost of producing original programmes. British television programmes were
protected by the rules of PSB that limited the proportion of foreign content.
British television competed
on the world market, with productions such as the Avengers being sold to many
countries overseas. A lucrative deal with the American Broadcasting Company ($2
million) required the fourth series of the Avengers to be shot on film. The
fifth series of the Avengers in 1966 was filmed in colour, even though the
programme could only be shown in monochrome on ITV. The budget for series 4 of
the Avengers was reported £56,000 per show.
Reaching different
audiences
Channel loyalty tended to
split on class lines, with ITV seen as the more working class channel- at a
time when it was ‘cool’ to be working class; the BBC was seen as more middle
class. ITV’s series the Avengers appeared much more daring, youthful,
irreverent and sexy.
The BBC remained very
London-centric, whereas ITV spread out more. ABC studios shot the Avengers in
Borehamwood.
Targeting audiences
Both BBC1 and ITV were aimed
at mass audiences. Broadcast flow was important: audiences should be led
through a series of genres and formats to provide a rounded evening’s viewing.
BBC2 was the exception to this television rule. It addressed a series of
different audiences across one evening’s schedule.
Narratives that resolved
every episode were well suited to a channel-loyal audience with no recording
facilities.
The watershed at 9pm,
introduced in 1964, allowed for more adult programmes to be shown such as the
Avengers. ITV shut down at midnight because they assumed that everyone would be
in bed by that time.
The mid 1960s was a time of
rapid social change. This meant that programmes had to change and focus on
social and artistic boundaries of their time. The audience found that this met
their uses and gratifications.
Uses and Gratifications:
Personal identity
Television audiences in the
1960s were much more loyal to particular channels and used this loyalty to
construct a sense of social identity. BBC viewers called themselves more
‘cultured’ and better educated. ITV viewers called themselves more down to
earth and less stuck-up than a BBC viewer.
Social interaction and
integration
Television was more important
in the 1960s because of its very scarcity. There would only be at most one
screen in the house, which meant the whole house would watch together or not at
all. Some audiences used television as a substitute for real-life social
interaction.
Entertainment
Audiences were much more
naïve about television in the 1960s. Escapism was most evident in game shows
and talent contests, but dramas like the Avengers also offered escapism.
Surveillance
The information function of
television was carried primarily by documentaries and current affairs
programming and perhaps social realist dramas.
Audience response and
interpretation
Much contemporary response to
1960s television drama may be influenced by the cult status that has accrued to
programmes such as the Avengers. The way the programme reflects its time in
terms of both media language and representation may create an alienating effect
for modern audiences.
The Avengers and Cuffs
compare in terms of audience because both in the 1960s and the 2010s, BBC and
ITV were aimed at mass audiences. In The Avengers, each episode was resolved at
the end, so if people missed an episode, it wouldn’t matter; however, in Cuffs,
each episode linked to one another. This meant that if someone missed an
episode, they wouldn’t understand the next. This led to people recording the
show so they could watch it whenever they want.
A fantastic summary - hopefully you can see a real difference between TV in the 1960s to the 2010s.
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